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Tame Zombies! Ninja Zombies! Tame Ninja Zombies!

Monday, March 5th, 2012 by craigsabin

WZMB Zombie Radio Show

WZMB Zombie Radio Show

5 Minute Horror’s Weekly Comedy Podcast!

Zombies are tame now… what could possibly go wrong?

Happy Zombie Monday from Zombie Radio Show! It’s post-post-Zombie-Apocalypse in NYC, and the zombies have been tamed and bar-coded by evil corporation Trocador. So why is the death rate climbing? Trocador takes the unprecedented step of giving zombies deadly ninja training. Why didn’t we think of that? It’s Zombie Radio Show, with Jimmy Rudolph helming the airwaves, giving New Yorkers what they need the most in these troubled times– jazz! Watch now!

Zombie Radio Show episode #48 asks the tough questions; “What do you say on the morning after when there wasn’t much of a night before?”; “How long before we can transmit bodily fluids digitally?”; “When is a beheading one beheading too many?”; and “What is up with the bongos? Do you know what time it is?”

Be sure to check out Zombie Radio Show every Zombie Monday, right here at 5 Minute Horror, or at http://zombieradioshow.com You can like us on Facebook, follow us on Twitter, and subscribe to our podcast on iTunes!

SUB-GENRES - INFECTION

Saturday, October 24th, 2009 by craigsabin

We’re going to skip a bit here, just because this genre is so friggin’ topical. It includes America’s current favorite horror genre—Zombies! “Zombieland” hit #1 at the box office last weekend, to the shock of the people who thought the Vince Vaughn romantic comedy would be more “commercial.” When will they learn?

Zombies have captured the imagination of our generation. Formerly shambling, brainless corpses, there was little reason to fear them, apart from the fact that, ew, they’re dead. They couldn’t catch up to you if you ran. They didn’t have the intelligence to work a door knob or a car. They just ate whatever brains happened to wander in their paths, which, by definition, were very small brains. They tended to overwhelm by sheer volume. Thousands of zombies would compete for five live morons who thought it might be a good idea to stay put in a clapboard house and let the zombies surround it, rather than race off in a car. Did we mention they were slow?

Now we have re-imagined the zombie nightmare. They are fast and vicious, although no smarter than before, more like hyenas then the brain-eating cows of an earlier, more innocent era. And you and me, the American public—we kick their ass!

This began in Romero’s “Night of the Living Dead,” where after an hour of pointless intellectual discussion, the gun-toting rednecks took to the streets and picked off the zombies one by one. Now, in “Zombieland,” (spoiler alert—I haven’t seen it.) killing zombies becomes mass entertainment. We experiment with ways to violently dispose of these single-minded creatures. “Mr. Owl—How many swings will it take to knock this fucker’s brains out of his left eye socket? One. Ta-hoo-hoooo… Three…”

There used to be two societal fears related to zombies; one, that they would kill you, and two, that you would become a zombie yourself. The infection would destroy your individuality, make you kill the ones you loved. Those fears still exist, but they have been eclipsed by the sheer, exuberant joy of having an easy, evil target to wail on. We have finally found an acceptable vessel for our anger and rage. Zombies are our Osama bin Laden substitute.

I hate to be the wet blanket here. I know that every society needs some sort of outlet for its darker urges, and zombie fiction is more humane than most. Zombies are not human, but have turned into soulless plankton in human form.

But as we thrill to the sight of an eight-year-old girl sawing off the head of a zombie, smiling as the brackish fluid coats her ringlets, we should ask ourselves—what have we turned into?

More on infection at a later time. Meanwhile—keep screamin’!

CS

TIRED OF TORTURE PORN MOVIES?

Monday, October 19th, 2009 by craigsabin

Hey, Gang! I’m exhausted. I’ve been to the movies. I’m emotionally and physically beat up, from the Cineplex… no, no, I wasn’t attacked by a bunch of hormonal teenagers. I was assaulted by the movie I was watching.

It’s getting tougher to get through a feature of Saw, Hostel and Rest Stop. They’re not movies as much as they’re exercises in how much carnage, sexual abuse and grim depictions of torture one can stand.

The question is this: Are these films entertainment, or porn? Let me say right up fromt, I enjoyed the first two Saw movies. I thought they were inventive and scary. Cabin Fever had a grisly horror quality that aided its low-budget markings. But Hostel’s title was right on the mark. It was a mean, nasty movie that was a collection of sex scenes, gore and revenge scenes. There wasn’t anybody to care about in the film. Now, it was well directed, shot, edited… but does that make it entertainment?

Why write Hostel? It’s a euro-urban legend. Okay, I get that! Then why? It’d be cool to show the gore? The sexualization of the women? The sadism of the butcher? At the end of the film, we learn what? The cautionary tale is what? We, as viewers, gained what?

Grossing us out is becoming tougher and tougher. The body parts, hackings, incisions, hatchets, near naked girls, manic killers, creeps, amplified sounds andmusic are all assaults on our senses. Is it entertaining?

We sit in a dark theater and peek at the carnage on the screen. We all like to view a traffic accident. It’s seeing something horrifying, but torture porn horror is just… exhausting. I need a nap.

Larry Talbot

Reliving the Gory Days Pt. 12- Slime-dot-Oh-Are-Gee

Tuesday, July 28th, 2009 by craigsabin

July 11th, 1:00-4:00 EST

We  finished shooting the soup kitchen scene around noon, but before we broke for lunch, Greg wanted to get started on the dialogue section of the orgy scene. This is where I introduce Brooke’s character to everyone else in the cult. So focused on my own lines, I didn’t think much about Brooke’s character and what was happening to her, so Brooke’s choice (totally whacked out on elixir) came as an incredibly pleasant surprise. My subtext got a little creepy, like a guy saying “I love you” to a chick on roofies. I think Greg’s decision to make this more of a cult meeting (think AA) than an occult meeting (think sacrificing goats) is an excellent call. On the floor were sound blankets and regular blankets. On top of all of them was a garbage bag covered by a yellow wool blanket. It was there to help with blood spill for the final scene of the day, and it was very treacherous. I nearly wiped out the first time I walked across it, and lest you think I’m just a dolt, other people did as well. No accidents, though. This orgy was accident free.
We then broke for lunch, coldcuts and bread, salad and soda. Food before an orgy scene is always a delicate subject. You need to feed the crew, but you also need to feed the guys who are getting naked in front of a camera. You have to consider things like bloat, gas and halitosis. I remember when we shot the orgy scene for my indie film “Just the 4 of Us,” I was very sensitive to this issue, and passed on my concerns to the caterer. Her choice of food for that meal? Stuffed cabbage. I think Greg’s people did much better.
While eating, it was clear to me that the orgy was weighing heavily over Greg and the cast. I think most of us were prepared to get naked—I suspect one of us was prepared to go all the way, if necessary. (No, not me.) Overall, we wanted to get the most out of us that we could for the scene to really work, without making it too gratuitous. None of us really knew what Greg had in mind, in terms of getting the shots. When we finally started, it was clear that he had a series of images in mind, but there were also some last minute changes, specifically with Brooke’s character. Brooke and I both went with it, though, and I think we found some new stuff there. It also took her character out of victimhood and into active cult participation, while giving her character and mine more parity. I think we could have gone farther with the nudity, but I think that we got all we needed to get. There were a few moments—Brooke and Sandra are exquisite, one very pale and one very dark. Phenomenal contrast. At the beginning of the scene, Sephera wears a long conservative 50s coat. When she takes it off— oooo, mama. Wait ‘til you see her outfit.
A quick shout out once again to the extras! The scene would not have been as creepy and effective if they weren’t there, and some of them elected to actively participate in the sequence. For instance, Marco, Sandra’s brother, became an instant orgiast, and Greg offered him up to Sephera. After a couple of takes, Marco whispers to his sister “Is it okay that I’m using my tongue?”
We all looked at Sephera, who smiled wickedly. “Like he’s got a choice.”
As for me, I got to kiss the girl with the chocolate and olive oil all over her (Tammy?) Dee-licious! She was also a horror fan, a zombie enthusiast in particular, and we kept cracking each other up throughout the scene. (“Zombie kiss! Arrrr…”) It’s really great when you have people like that on the set who add their own personalities to create an environment of comfort and laughter.
After the group scene, Brooke and I entered the closed set to catch a few shots of just us two, for a kind of flashback when we possess the main characters. In case you all don’t already know, she is HOT! On top of the pleasure it is to work with her, you know that the scene will look great, because she looks so great. I only hope my doughy presence in the scene doesn’t distract too much from the glory that is Brooke.


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